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Collapsing notions of time in fragments through Tree stump drawing Last summer I noticed many tree stumps litter Baltimore. I decided to make drawings from rubbing opposing halves of two tree stumps to give the affect of a collapsing of distance between the time of the rubbings. I found notions of distance between the two rubbings collapsed in two ways: (1) on the folds where each of the tree stumps meet at a disjuncture; (2) the space outside of the tree rings. The posing of fragments of two tree stumps in what mimics the continuity of a tree stump in its entirety shows notions of time as fragmented and discontinuous. Tree stump drawing attempts to disrupt any myth of teleology of time. Carol Mavor writes of the filmmaker Chris Marker’s filming of a big sequoia in Sans Soleil, 1983, to refer to the collapsing of notions of time outside of the tree’s rings in her article, "HAPPINESS WITH A LONG PIECE OF BLACK LEADER: CHRIS MARKER'S SANS SOLEIL", when she writes:
instead of viewing the folds and space outside of the tree stump drawings as a space outside of time, it seems more likely that such a space collapses notions of time, and thus, locates oneself in the present. |
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| 2:27 pm and 2:47 pm Saint Paul Street between Eager and Chase Streets | 3:11 pm and 3:19 pm Charles Street between Penn Station and Mount Royal Avenue | 7:06 Charles Street and Mount Royal Avenue |
7:15 pm Charles Street between Penn Station and Mount Royal Avenue |
8:12 am and 8:17 am between Eager and Read Streets on Saint Paul Street |
7:55 am and 7:59 am between Eager and Read Streets on Saint Paul Street |